
|
SOUND |
Perfect for Modern Jazz, R&B, and Rock & Roll.
Edgy but with absolutely no thinness.
Excels in the Modern and Smooth Jazz realms yet is VERY versatile
and plays fantastic ballads too, due to its True Large Chamber.
|
|
DESIGN |
Built to outplay Theo's very best Michael Brecker model Guardala mouthpiece. Theo succeeded in spades!!!
Short and high step baffle with our True Large Chamber.
|

|
DETAILS
|
 Revolutionary
True Large Chambers - Huge!
Patented, state-of-the-art, interior design with rounded inner side walls.
 Finish: Reticulated 24K Gold (standard) and Vintified (special order).
Serial Number: Includes specific run and individual mouthpiece number.
Ligature: Includes our patented integrated two-point contact Liberty
 Ligature and a precision hex-driver.
Pressure Plates: Includes both Alive Gold and Heavy Copper pressure
 plates and a precision screwdriver.
Cap: Patented Reed Replacer Cap. The most secure cap in the world.
Bite Pad: User replaceable bite pads with varying hardness.
|
DESCRIPTION

KALI is a
Hindu Goddess.
She aided in the
defeat of a
powerful demon
for the benefit
of humanity.
|
The KALI has a wonderful edge to the sound while still maintain good projection and a full sound. Its design is patented and its manufacturing process is patent pending.
The KALI can both growl and sub-tone like a champ. Its growl and edge come from a short high baffle similar to a Guardala Brecker mouthpiece. Its full sound is created by rounded sidewalls starting all the way to the tip and our True Large Chamber, like the vintage mouthpieces of the 1940s.
The use of a True Large Chamber is truly unique in a modern high baffle mouthpiece. It creates fullness to the sound not heard in other contemporary mouthpieces. Our True Large Chamber is completely machined to extremely high tolerances for accuracy not possible with cast mouthpieces.
|
QUOTES
|
“I’ve tried for a long time to be happy with my sound and can now say I am amazed at the sound I get. I just stare at the sax totally surprised like it’s the first note I ever played. I'm like a kid when I play your mouthpieces. Theo, you never cease to amaze me! As a jazz saxophonist for many years I thought the perfect mouthpiece was a myth until I played the Kali. Big bright sound, but with a CORE, and that makes all the difference. I can go from a sweet altissimo to a rich low b-flat without a hitch. Versatility and power, all in an attractive package, makes the Kali the mouthpiece for me. Theo, I can’t say thank you enough.” – Keyan Williams
"I’M TOTALLY IN LOVE WITH MY KALI! It is ‘the’ most expressive mouthpiece I have ever played. The endless tonal possibilities I am able to produce now on the saxophone is akin to having every shade of every color known to man on my palette. Any tonal color is achievable with this mouthpiece! Equally impressive are the nuances in volume that are achievable. The design ingenuity and craftsmanship of Theo’s mouthpieces is truly amazing and impeccable. They are a work of art. They are the perfect link between one’s inner voice and the saxophone.” – Jack Prybylski
“Theo, you keep making choosing a mouthpiece difficult for me! I´ve been playing and thoroughly enjoying the AMMA for about half a year. Now the KALI, another superb player, is also coming with me on future concerts! They both sound and feel great and are potential first choices. This seems to be what one may call a luxury problem: If you´re a coach, and you happen to have the two best quarter backs in the league in your team, it´s difficult to chose who´ll play, but you know you´ll win either way...Congratulations!!” - Jan Garbarek
|
|